12 colorful drawings + Enlarge
Out of Nothing-Chapter1 2020 oil pastel 3inch * 4inch for each piece
drawings of body + Enlarge
Out of Nothing-Chapter2 01 2021 Pencil 3inch * 4inch for each
drawings of body + Enlarge
Out of Nothing-Chapter2 02 2021 Pencil 3inch * 4inch for each
drawings of body + Enlarge
Out of Nothing-Chapter2 03 2021 Pencil 3inch * 4inch for each
drawings of landscape and objects + Enlarge
Out of Nothing-Chapter2 04 2021 Pencil 3inch * 4inch for each
Out of Nothing-Chapter1 video 2020
drawings of landscape and objects + Enlarge
Out of Nothing-Chapter2 05 2021 Pencil 3inch * 4inch for each
drawings of landscape and objects + Enlarge
Out of Nothing-Chapter2 06 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 07 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 08 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 09 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 10 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 11 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 12 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 13 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 14 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 15 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 16 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 17 2021 Pencil 3inch * 4inch for each
drawings of landscape + Enlarge
Out of Nothing-Chapter2 18 2021 Pencil 3inch * 4inch for each
Statement

My artworks investigate disappearance and memory. Absent of a subject, narratives take form through multiple mediums as I let various clues tell the clips of the story. Our minds recall people by seeing familiar belongings and sights we associate with them. An object reminds us of its owner, and places are proxies of an actual person. I take a micro perspective, focusing on small details in order to subtly trigger people’s imagination of a specific place and culture.

Recently, my work has been exploring the theme of commemoration. Based on literature and historical documents, I am in the process of creating a story about a journey to follow a fictional transgender filmmaker named Long. After she passed away, visiting the places that appeared in her films become the only way to approach her. I use different methods to draw, creating the intersection of imagination and reality.

General Fine Arts (BFA) Students